Marset new lighting collection explores the relationship between structure, material, and illumination. Each design treats light not just as a source, but as something shaped by volume, texture, and proportion.
Through diffused glows, transparent surfaces, and controlled reflections, the collection rethinks how lighting interacts with space. Whether mounted to a wall, suspended from the ceiling, or placed on a table, these new releases reduce lighting to its essential elements, surface, shape, and clarity.
Transparency at Scale
Joan Gaspar’s Ringo draws attention to material above all else. Shaped as a large ceiling or pendant lamp, Ringo feels both solid and suspended, made from transparent polycarbonate that mimics the texture and optical reflections of ice. The result balances presence with weightlessness.
Designed for expansive interiors, from hotels to architectural projects, Ringo distributes light evenly while offering a view into its structure. The shade both regulates illumination and creates a visual connection between surface and light source. Offered in 70 and 90 cm sizes, and in green, amber, smoke, and dark smoke finishes, Ringo can be mounted flush or as a pendant, with height extensions of 40 or 60 cm.
A Study in Tension and Color
Gambosa, designed by Mathias Hahn, reinterprets the table lamp with geometric balance and color contrast. The steel base anchors a delicate structure where the curved shade appears to float above the stem.
Available in two sizes, the lamp comes in color combinations like pink or black shades, orange or moss grey stems, and stone grey bases. The opal version offers a softer light, while opaque options give sharper direction. A clip holds the cable in place, turning a necessary element into part of the design.
A Classic Returns
Originally released in 1978, Lauro reemerges fifty years later with the same steel structure and bold proportions. Designers P. Aragay and J. Pérez Mateo maintain its industrial form, difficult to shape even today, and add a new wall version to the table and floor options.
The shade, made from translucent opal or black two-layer methacrylate, adjusts along the stem and rotates to direct the light. Lauro continues to use an LED bulb, keeping the visual logic of the original while updating performance.
Architecture Meets Atmosphere
With Domus, Joan Gaspar looks to architecture. These outdoor bollard lights present a hollow body that recalls a lit house seen from the outside. The asymmetrical structure hides the light source while creating focused illumination that changes depending on placement.
Domus is available in three heights 26, 36, and 55 cm, and in white, black, or rust brown finishes. It can stand alone or work in sculptural clusters, with light angles that shift and expand across grouped units.
Precision and Reflection
Drop, by Naiara Caballero and Till Armbrüster of Licht Kunst Licht, takes shape as a glass sphere perched on a slender base. It echoes a dewdrop resting on a branch, with the sphere rotating to control direction.
The fixture includes a honeycomb panel to reduce glare, and a black or rust brown stand in two heights 60 and 90 cm. Designed for outdoor use, Drop pairs delicate optical effects with a strong architectural core.
Geometry in Suspension
Originally launched as a pendant, Fragile now expands into a full collection with wall and table versions. Ramírez structures light through repeating geometries, cylinders, cones, and spheres, that can be used solo or arranged in multiples.
With options in one, three, six, or nine units for pendants, and one or two for walls, Fragile invites spatial compositions that recall mathematical forms while maintaining a poetic presence.
Texture and Diffusion
Roc presents a pressed glass wall lamp with a soft, irregular finish. Gaspar adds two new sizes to the existing 14 cm model, now available in 8.5 and 17 cm diameters.
A dome inside the shade increases brightness and evenly spreads light. Each version includes an optional glare filter and can be mounted to walls or ceilings, with the smallest size designed for recessed installation.
From Concept to System
Ambrosia began as a single tube of light and now exists as a modular system. The Ambrosia Pro version, designed by Ciszak Dalmas, focuses on workspaces, offering targeted illumination through a lens-based cell structure.
With horizontal suspension options at 120 and 180 cm and three finishes, gold, stainless steel, and black, Ambrosia Pro maintains its sculptural base while meeting functional demands. Height extensions allow light to fall from varying ceiling distances, expanding its use across interior projects.
Light as Wall Sculpture
Gaspar’s Caramel wall lamp gives visual weight to glass. When off, the circular form appears graphic and solid; when on, the piece glows with soft, warm light, filtered through the translucent diffuser and reflected onto the wall.
Available in 22, 28, and 38 cm diameters and in white, green, cobalt blue, and terracotta brown, Caramel offers mix-and-match composition options through an accessory that links multiple lamps together.
Marset at Euroluce
At Salone del Mobile 2025, our team explored Marset’s latest lighting collection, designs that translate function into structure and material into focus. We previewed the upcoming launches at the brand’s Euroluce installation, created in collaboration with Mesura architecture studio, where the full collection unfolded across a carefully curated space.
Though the installation lasted only a week, it sparked meaningful exchanges with the design community and offered a clear view of how Marset continues to define its approach through material precision, formal clarity, and spatial intent.
