Ste Marie designs the new headquarters for Monos in Vancouver’s Mount Pleasant creative district, creating a 6,000-square-foot workplace that accommodates the travel brand’s expanding activities. Completed in December 2025, the project takes inspiration from residential and hospitality interiors, introducing an adaptable environment for daily work, product development, photography and social gatherings. A continuous communal table […] More
A-nrd approaches the design of Arthouse Glasgow through the character and spontaneity of artists’ homes, transforming a restored 19th-century building on Bath Street into a 76-room hotel. Developed for Oberland, the project draws on Glasgow’s architectural history and creative culture, combining original Victorian features with contemporary furniture, vintage pieces and the work of local artists […] More
Yuzheng Gan approaches architecture and interiors through an interest in how spaces influence human behaviour, perception, and everyday experiences. After spending more than six years at Huahui Engineering Design Group in China, where she contributed to healthcare facilities, corporate headquarters, and commercial environments, Gan pursued a Master of Interior Design at the University of Texas […] More
Designed as a series of single-storey pavilions, the Mexican residence uses gardens, natural light, and carefully arranged volumes to balance family life with privacy.
Ryuichi Sasaki Architecture uses diagonal concrete forms, tree-shaped drainage systems, and carefully positioned openings to connect residential life with Inokashira Park.
Villa G.I. Review: Subtraction and Structure Shape a Lakeside Residence
Ferrari Style opens its first New York flagship in SoHo, a two-floor Officina designed with Gonzalez Haase AAS and Formafantasma. Our look inside.
Traditional Shu paper, aged stainless steel and reclaimed wood shape the store’s distinctive interior.
The architects explore how sculptural ceilings, light, and acoustics create a sense of intimacy within a contemporary restaurant.
