Kettal presents Grosso, a sofa designed by Patricia Urquiola, defined through a sculptural approach to seating. The piece operates as both object and environment, shaping comfort through a form that responds to the body. Urquiola directs the design through controlled curves and structured softness.
FURNITURE
The surface carries a patchwork construction formed through stitched segments that create a continuous visual rhythm. Each seam contributes to the composition, establishing movement across the sofa without disrupting its cohesion. The structure encourages use through its tactile quality, drawing attention to the relationship between material and form. The result holds a sense of fluidity grounded in technical execution.
Grosso adapts to different modes of use through its flexible structure. The form allows subtle rotation, enabling shifts in posture without requiring major repositioning. This capacity supports a range of interactions, from extended reclining to more upright seating. The sofa responds through small adjustments, aligning its shape with the user’s movement.
The design references the scale of a large pouf, offering seating for up to three people within a continuous volume. Beneath the surface, a system of foams with varying densities defines the internal structure. These layers guide the way the sofa reacts under pressure, allowing it to deform in response to weight while returning to its original shape.
Grosso extends beyond a fixed configuration, allowing different spatial uses within the same structure. It functions as a daybed during extended periods of rest, while also supporting more contained positions suited to focused moments. The form can also operate within a modular arrangement, where multiple units align through controlled placement.
Grosso positions itself between furniture and object, where comfort and form operate within the same framework. The design develops through precision applied to soft materials, resulting in a piece that balances structure with responsiveness.
