
Konstantin Grcic brings a new sculptural direction to Kettal with the Kari collection, arriving in April 2025. The designer explores simplicity and adaptability through two sculptural side tables that reflect his functional design philosophy while introducing a new aesthetic rhythm. Grcic crafts the Kari tables as a duo, encouraging users to interact with their forms in various arrangements. Each table features a round top but distinguishes itself through different base shapes, one cylindrical, the other pyramidal.
Geometry as a Design Driver
Grcic builds contrast into the collection by pairing identical tabletops with bases that explore unique geometries. This clear contrast gives the collection its character. While the circular surface remains consistent, the foundations bring entirely different energies to the room. The cylinder offers continuity and softness, while the pyramid introduces sharp angles and a sense of tension.

Natural Materials and Modular Intent
The Kari tables currently come in teak, a material that supports the collection’s natural feel. Grcic designs the construction to accommodate other materials in the future, ensuring adaptability beyond the initial release. The use of wood connects the tables to organic textures and tactile comfort, but the concept doesn’t limit itself to one finish. By using a modular approach in the structure, Grcic allows producers to experiment with future editions.

Lightweight Functionality
Function drives the design just as much as form. Both tables serve multiple roles end table, stool, or occasional seating. Grcic considers movement as a key factor, giving each piece a lightweight build that allows users to reposition them easily. Whether next to a sofa, beside an armchair, or in the corner of a room.

Cultural Cues in Form
While the collection doesn’t follow a decorative narrative, the geometries suggest influences from African design traditions. The shapes draw from sculptural forms found in historic objects, though Grcic interprets them through a modern lens. This influence comes through not as replication, but as a subtle nod to a long-standing design vocabulary rooted in form and material expression.

Designed for Everyday Use
Grcic doesn’t create objects for display, he builds them to be used. The Kari tables reflect that ethos, functioning best in real spaces with real needs. Whether standing alone or paired together, they provide useful surfaces and flexible seating without drawing unnecessary attention. Their quiet presence gives users room to build around them, experiment with placement, and shift things as needs evolve. Scheduled for release in April 2025, the collection introduces a refined approach to multi-use furniture with a sculptural edge.

bravo konstantin! one of the designers who deserves all the spotlight!